seedance 2.5

Translated from the original Chinese for this page language; timing, dialogue, shot directions, and negative constraints are preserved.

A 15-second ultra-realistic documentary-style portrait video, shot on a full-frame cinema camera with a 50mm lens. Natural afternoon window light, slight handheld movement, shallow depth of field, no beauty filter, and no excessive color grading.
An elderly female ceramic artist works alone in a quiet studio, making a ceramic bowl. Her silver hair is loosely tied at the back; her face has real wrinkles, her fingers are slightly dry, and clay is visible beneath her fingernails. She wears a faded linen shirt and a clay-stained apron.
[0s-6s] Close-up of her hands shaping wet clay on a pottery wheel. The clay surface is not perfectly smooth; it shows moisture and fine texture while rotating steadily. Her fingers press into the clay naturally.
[6s-11s] The camera slowly moves upward to her face. She watches the clay with quiet concentration and blinks naturally. Real skin texture, fine lines, pores, and slight facial asymmetry are visible.
[11s-15s] She pauses, gently wipes her forehead with the back of her wrist, looks back at the clay, and gives a very faint smile.
Avoid AI-like glossy skin, excessive skin smoothing, perfectly symmetrical faces, rubbery hands, incorrect fingers, and unrealistic clay physics.

Translated from the original Chinese for this page language; timing, dialogue, shot directions, and negative constraints are preserved.

A 15-second ultra-realistic indoor women’s volleyball match video, styled between a sports broadcast and a cinematic commercial. Wooden floor, clear court lines, bright gym lighting, realistic ball speed, and realistic human movement.
A women’s volleyball team in blue uniforms completes a serve-receive attacking sequence. Keep the uniform colors, court layout, and number of people consistent.
[0s-4s] Wide shot from behind the receiving team. An opposing player performs a jump serve, and the volleyball travels quickly over the net.
[4s-8s] The blue team’s libero dives forward to receive the ball, sliding naturally across the wooden floor and making an accurate forearm pass. The volleyball rises in a clear arc.
[8s-12s] The setter runs beneath the ball and performs a standard overhead set with both hands. The camera tracks her laterally while her teammates begin fast attacking runs.
[12s-15s] The outside hitter begins her approach and jumps, drawing her arm back to spike. The shot slows slightly at takeoff and ends at the highest point just before the spike.
Maintain a correct volleyball court, realistic human biomechanics, an accurate ball trajectory, and stable uniforms. Do not add extra arms, do not let the ball float, and do not deform the net or court lines.

Translated from the original Chinese for this page language; timing, dialogue, shot directions, and negative constraints are preserved.

A realistic 15-second dialogue scene set in a small family bakery in Lisbon, Portugal, in the morning. Warm sunlight, natural handheld camerawork, realistic expressions, and accurate lip sync. The dialogue is in Portuguese, the voices are clear, and the background music must not overpower the speech.
Two characters:
Ana, a young Portuguese baker wearing a flour-dusted apron.
Her grandfather, an elderly man sitting by the window and drinking coffee.
[0s-6s] Ana takes fresh bread from the oven, smiles, and says in Portuguese: “Avô, o pão ficou perfeito hoje.”
The subtitles must display exactly: “Avô, o pão ficou perfeito hoje.”
[6s-12s] Her grandfather looks at the bread, chuckles softly, and replies in Portuguese: “Perfeito? Ainda falta um pouco de paciência.”
The subtitles must display exactly: “Perfeito? Ainda falta um pouco de paciência.”
[12s-15s] Ana puts the bread on the table and looks thoughtfully at her grandfather. The camera holds on the warm morning light between them.
Keep the Portuguese pronunciation natural, phrasing clear, and lip sync accurate. No garbled subtitles, no misspellings, and no mismatch between the dialogue and subtitles.